Listen to Shock Pilot and the JogTunes Indie Podcast

This morning I am going to go cheer on the runners of the New York Marathon. Hopefully the weather will clear up a bit and it will be a great race for everyone involved. I am looking forward to running it myself next year. Before I go I have a couple things I need to post about:

The past month I've working with some artists through twitter and ReverbNation. It was spearheaded by Jonathan Jones of Linwood Studios. My main contribution was the vocals. Steve Morton was also a key contributer of some eclectic sounds. The intention was to create something entirely collaborative online with feedback from listeners every step of the way, which was immensely valuable. We went through several drafts and I am very excited about the result. What began as an instrumental sketch about flight became a story about a Lara Croft-like flight attendant (undercover spy?) foiling a terrorist plot mid-air.

The project is called Shock Pilot and the first song is called "Smokin' Tasers." Find more information about it here:

http://www.ReverbNation.com/ShockPilot

http://twitter.com/ShockPilot

http://linwoodstudios.blogspot.com/2009/10/shock-pilot-official-release-of-smokin.html

Please feel free to stream, download, or share the song from here:

There is talk about offering a contest for people interested in making a youtube video for it. Contact me for more details.

The other big news I am very excited to announce that my song "Why I Run" was included in this month's JogTunes Indie Podcast! Dr. Bob Marcus guides runners through a 60 minute work out featuring a vast array of unsigned and unknown artists, explaining the different tempos for each song along the way. This podcast was indispensable to me when I started researching the idea running music. I used it to feel out the different tempos. I remember being most comfortable in the 150s and 160s. As soon as the pace climbed into 170 or 180 bpm I wasn't able to keep up. Now here I am nearly two years later touting the benefits of 180 bpm, which proves that cadence is definitely something you can control when you know how. The thing I eventually learned was that the speed of your leg turnover doesn't determine your running speed. If you make your stride smaller you don't have to run faster at the higher tempos. The podcast is a good exercise for trying different stride lengths and cadences as well as discovering unknown artists.

Here is the link to the show podcast:

http://jogtunes.com/jti/jtcbrowsepodcasts.php?x=60&v=ID%20between%20453%20and%20465

A big thanks to Dr. Bob! He is so nice. I am really happy to have a song in the podcast and to be on the website. It's the fulfillment of something I was dreaming about a year ago. If you have not checked it out already, definitely subscribe to this podcast. The website is also a useful resource for finding good running music.

http://jogtunes.com/

How to School Someone with Good Running Form

During my 10 mile run today I was surprised to have a guy pacing off of me for nearly two miles. I was simultaneously flattered and a little annoyed. He was clearly a pretty experienced competitor and I do not presume to say that I am faster; he definitely would have beaten me in a race. It could be that he was trying to be conservative with his pace on the way out.

Although, it was annoying because he tended to stay on the edge of my peripheral vision. I would have preferred it if he stayed behind so I wouldn't have been conscious of him. Every once in awhile he would pull forward. That was worse because watching his form just tired me out. It was like he was muscling himself forward with his upper body strength. Maybe he was a triathlete? His stride was long, slow and loping. As soon as he pushed ahead it was a matter of moments before I would easily pass him again. Eventually he left me behind when I took my GU break.

I felt comfortably quick while he looked like he was really working hard. His gait was so laborious, I couldn't help but think how much of a happier time he would have if he tweaked his form. Judging by his knee brace his body likely felt the same way.

Somewhere along the road I became completely obsessed with form. Perhaps it was the dance training when I was a youngster or time I spent as a personal trainer, but the importance of form is always paramount in my mind for good performance. I can't help but constantly check in with it.

This is what I tend to think about when I'm running; it's taken from so many sources I can't site them all but if you've read ChiRunning you'll recognize some things:

First, the upper body should be relatively relaxed like it's sitting on a conveyor belt enjoying the ride. The head is lightly balanced on top, no tension in the neck. Eyes straight ahead, focusing on the horizon. The swing of the arms can be largely propelled by natural momentum. They can define your tempo because what your arms do your legs will follow. So I think of light quick taps with my elbows behind me like there is a boxing instructor back there with pads. Arms at 90 degrees with the hands lightly clasped.

I imagine my core is hard like a classic marble statue with a six pack. It has to be strong because that's where the fire is that is propelling me forward. Everything is alignment from my ears to my shoulders to my hips to my knees to my ankles.

The legs are like shock absorbers on cars. They take in the movement of the road, but with control so it's a smooth ride. In fact the impact of the feet against the road should be soft, quick and light. I try to imagine leaving flat foot prints in the sand so that there isn't more pressure on either the heels or the toes. Also, the feet should land directly below the center of gravity.

Of course, I don't succeed in the perfect form all of the time. I have many race photos clearly showing me landing on my heals. I can feel definite improvement the more I practice.

Still, with all of that in mind, my real secret weapon is 180 beats per minute. When I am training I make sure all of my running music mixes are at that tempo. It forces you to keep a short quick stride. The short stride makes it easier to stay in alignment and not bouncing up and down too much. Then as you get stronger you can open up that stride with a bigger kick back that doesn't disrupt your upper body. I really wanted to lean over and tell that to the guy pacing with me today. With the beat to hold onto, I knew I could stay consistent what seemed like way too easily.

Song #6 - So Cold

Back in the US-s... A

I had a fantastic time trekking the Italian Dolomites. While we were there they were declared a World Heritage site by UNESCO.

It was great to go with a member of a huge Italian family. Everyone spoiled us rotten with their kindness. I think I ate my weight in gelato, pasta, polenta, wine and cheese, oh so much cheese. So yea, the carb loading part of my training is covered, just roll me to start line of the Manhattan Half Marathon.

While I was gone ReverbNation invited me to participate in a Microsoft sponsored promotion that offers free downloads from unsigned artists. The artists get paid when their track gets downloaded. Since I was away from the internet I didn't push it too hard; so I was shocked to come back and find I already hit my cap! That means enough people downloaded it that I'm getting paid the maximum amount possible for this campaign. How cool is that? I won't be paid for further downloads but if people keep downloading it next time I could earn a higher cap. I encourage you to check it out at this url:

http://www.myspace.com/windows?homepage=ladysouthpaw

The song I chose for the promotion is called "So Cold." It is the last of the 6 Songs For Running to be written up on this blog. Actually, it was the first song I wrote for this project way back in February when trying to run in the frigid cold was high on my mind. I put it third in track order but it was my first official attempt at writing to the tempo of 180 beats per minute, the "optimal cadence for peak performance."

Which reminds me, my running pal Jess pointed me toward this running music article that was in the NY Times while I was away. It sites some of the players in the growing trend of making music for running. Jack Tupper Daniels the elite running coach and exercise physiologist responsible for the concept of the optimal cadence for peak performance has teamed up with musician Patrick Crowden to create a running music training program. Hellasound was also reviewed. I've been passively stalking them on twitter since their first running release a few months ago so it was cool to see them get some good press. Overall the article was further encouragement that there is a place for music that is conscious of the running experience and still plenty of room for growth. I already have tons of ideas churning for the next set of running songs that I am writing so it's exciting to get back to work on this.

Good news! If you want to add any of the Songs for Running to your running playlist they are now available for download on iTunes, Amazon, Napster, emusic, and Rhapsody. If you take them for a run, please let me know how it goes. Your feedback will help me in writing the new songs.

Thanks!
ladysouthpawmusic(at)gmail(dot)com

Running Song #1- "If You Had a Life to Kill"

Today I am streaming the first of my 6 Songs for Running on my website. You can play it with the widget in the left column. It is called:

"If You Had a Life to Kill"

The tempo for most of the songs for running is 180 beats per minute (b.p.m.) to reflect the ideal of 180 steps per minute in your running stride. However, the first three songs of the 6 are intended as a warm-up for this cadence in case you are not used to that fast of a tempo. "If You Had a Life to Kill" is 160 b.p.m. So if you were to count the strides of your left foot in one minute of running it would be 80 strides. This is actually the tempo I was running at when I first started counting my steps.

One fun thing to listen for:

A couple months ago I was lucky enough borrow an accordion from my boyfriend's Italian grandmother. They are from the northern mountains of Italy very near Austria. It's so cool. It makes an appearance in the background of "If You had a Life to Kill" about halfway through (at the second chorus.)

If you are interested in trying this song out for a run it is not yet available for sale but in the meantime you can write me at:

ladysouthpawmusic(at)gmail(dot)com

Also I got some new pictures taken by: http://www.cerysphoto.com/

Misha, the photographer, was great I would highly recommend her.

Stride Right: How Cadence Affects Running Performance

Recently I was at Jack Rabbit Sports in Brooklyn buying new running shoes. They analyze your running gait by using a treadmill and video equipment. I was told that I was bouncing too much. All the movement up and down was taking away from my forward momentum, slowing me down and also forcing more impact on my joints upon landing. The Jack Rabbit staffer recommended I read ChiRunning to help me adjust my form.

I went to work breaking down my running form and trying to figure out how to be more efficient. I bought Danny Dreyer's ChiRunning as well as other books on running technique. One key problem I found was that my stride was too long for the speed and the distances I was running. This was not as huge of an issue when I was running 2 to 3 miles on the treadmill but when I started training for a marathon and running for 10 miles or more I could feel my ITB (or iliotibial band) tighten with some accompanying knee pain. Icing and stretching helped but I wanted to reduce as much of the impact as possible in the first place.

According to Danny:

One of the most common and significant problems I see in runners is too long a stride length when running slowly. This is very inefficient and exhausting to the body. If your cadence is slower than 85 strides per minute, your feet stay in contact with the ground longer, which means that your legs are supporting your body weight for a longer period of time. Conversely, if your stride is over 85 strides per minute, you'll spend significantly less time on your feet, saving valuable energy. (ChiRunning, p81)

Dreyer recommends a cadence of between 85 and 90 strides per minute. That means if you are counting how many times you step with your left foot for one minute of running it should be 85-90 times. For both feet that would be a cadence of 170 to 180 steps per minute. The more I researched the more this magic number kept appearing. Up until this point I always thought the faster you ran the more steps you would take per minute. It turns out this is incorrect, it is actually the length of your stride that changes while the number of steps remains relatively consistent.

Exercise physiologist Jack Daniels, Ph.D., described by Runner's World as the "World's Best Running Coach" is known for his comprehensive research in sport performance and coaching of elite runners.

He writes in Daniel's Running Formula:

One of the first things I teach new runners is some basics about running cadence, or stride rate. Almost all elite distance runners (both men and women) tend to stride at about the same rate: 180 or more steps per minute. This means that they're taking 90 or more steps with each foot per minute, a rate that doesn't vary much even when they're not running fast. The main change that occurs as runners go faster is in stride length; the faster they go, the longer the stride rate becomes, with little change in rate of leg turnover. ... I try to save runners a lot of grief by encouraging them to convert to a stride rate associated with less landing shock and more efficient use of energy. ... We often talk about getting into a good running rhythm, and the one you want to get into involves 180 steps or more steps per minute. (p93-4)

There are a number of things I try to be conscious of while running to reduce my bounce: core strength, flexibility, alignment, arm swing etc. However, increasing my cadence and shortening my stride was the easiest fix that made the most difference right away.

So, how do you know if you are training at the correct cadence? Danny Dreyer encourages taking a metronome on runs. As a former young music student this sends me into memories of painful piano lessons and makes me want to tear my hair out. You may be guessing where I am going with this by now. My newfound knowledge and experience led me to choose a specific tempo for the new music. The beats per minute (b.p.m.) in music is what people tend to sync their steps per minute to if they are running to the rhythm of a song. Initially I had planned to write at different tempos and let people choose songs that matched their unique cadences or the speed they wanted to go. I was amazed to discover that I could run at the same cadence whether I was going fast or slow. Music became a useful tool to remaining consistent over an extended period of time.

The problem with most popular music in terms of running is that it is not written at an ideal tempo. It usually clocks in between 110 and 140 b.p.m. Of course there are exceptions which is why it is possible to find songs that work. The other problem with making a running playlist is that chances are the songs are all at different tempos. This again leads to problems of consistency and may inhibit your training.

Music can be very useful in training specifically in the case of developing a consistent stride rate when it is set to the correct tempo. I can hear voices of running coaches in my head arguing with the idea of running to music so I will again emphasize: it is important to be able to run without music so that you are prepared for race conditions and can listen in the moment to your body and what is going on around you. However, if you have multiple training runs per week there is no harm in having a couple of them to focus on rhythm and letting music add some extra vibrance.

In Songs for Running (the title of my new 6 song E.P.) I wrote the first 3 songs with the same beats and structure but at increasing tempos of 160, 170 and 180 b.p.m. to help people get used to the cadence if they are not already. After that all songs are written at the 180 b.p.m. gold standard.